Music is a huge part of my life. I carry my iPod with me everywhere I go, and it seems as though I always have some kind of track playing in the background when I work. My taste is a bit eclectic, but I thought it’d be interesting to go through my top music for 2010. (And yes, I know some of these tunes were released before last year, but I discovered or purchased all of these within the last twelve months.) Preview almost all of the songs listed below with the AmazonMP3 player to the right (the tracks in there and the album links below are affiliate links).
Beat the Horse, Pomplamoose
If you’re not sick of hearing me talk about Pomplamoose yet, I don’t know where you’ve been. The star YouTube duo films every instrument and vocal track they use for a tune and then stitches them all together into a video that’s as well-produced as the song itself. “Beat the Horse,” one of their earlier works, is hands-down my favorite song – and this is the first time I’ve ever been able to say that about any single track. It’s a catchy tune with great instrumentation by Jack, some killer vocals by Nataly, and a great video. They do covers, too; if you’re new to the duo, I’d recommend listening to their own arrangements of “Telephone” and “Makin’ Out.”
Rio, Hey Marseilles
I saw Hey Marseilles at the KahBang opener at the Brick Church in August. It was a great venue for their high-energy performance, and it turned out to be one of my favorite memories of the summer. The song manages to include a bunch of my favorite instruments, and I can’t help but beat my hand against something when that drum sounds.
Far Away, Ingrid Michaelson
I’d seen the name “Ingrid Michaelson” appear more than once on Pandora stations, and I finally decided to give her music a serious listen in the early part of the year. I soon realized that a bunch of my friends were also Ingrid fans, and I was able to see her perform at L.L. Bean in Freeport in August. She even gets bonus points (not that she needs them) for spending a bunch of time in Maine and writing “Far Away” about a second life she’d like to live off the coast of the Pine Tree State. Girls and Boys as a whole is a great listen.
Far From Home, The Gabe Dixon Band
The piano is my favorite instrument, and The Gabe Dixon Band rivals Ben Folds as my favorite piano rock artist. After the band’s name kept appearing on my Pandora stations, I thought I should give their self-titled album a try. I’m really glad I did; when I need to rock out, I press play on “Find My Way” or “Till You’re Gone.” The album is now one of my favorites.
16 Military Wives, The Decemberists
I’m a sucker for brass. Take a good beat, add some politically-charged lyrics, and stick a great horn section near the end of the song. I didn’t have a chance. I’m not as much of a Decemberist fanatic as some people I know, but this song is in constant rotation on my five-star iPod playlist. (The video for the song is really fun, too, if you haven’t already seen it.)
Ain’t Nothing Wrong with That, Robert Randolph & the Family Band
Apple and Amazon should really thank the dancers at UMaine for encouraging me to spend money on music over the last few years. I caved in and bought “Ain’t Nothing Wrong with That” after a bunch of awesome people pulled off a little stunt in the Memorial Union in Orono. It joins a growing list of songs by Hellogoodbye, Of Montreal, and others that make me remember some great creativity on campus.
Work It Out, RJD2
Guess what? It’s another find thanks to YouTube. RJD2 paired with artist/dancer Bill Shannon for a pretty creative expression of “Work It Out”; after I saw the video, I had to check out his other music. I love it all. I’d call RJD2’s music mature electronica; it’s music that’s very rhythmic, infused with a host of genres (blues, hip-hop, and more), and keeps you hooked from the moment you start listening.
Maybe True Stories, Lauren O’Connell
Lauren’s another YouTube discovery. She’s a great east-coast-turned-west-coast singer-songwriter who manages to write sometimes fun, sometimes thoughtful, sometimes poignant, but always real lyrics. Her studio albums are terrific (buy The Shakes. really.), and her YouTube versions, created a la Pomplamoose and often with some creative instrument choices, are always a lot of fun. “Maybe True Stories” is my favorite of hers. Lauren’s currently planning to record a new album and has some unique incentives available if you’d like to support her. (For more Lauren check out My Terrible Friend, a duo project with Nataly of Pomplamoose.)
Mr. Blue Sky, The Sing-Off
Amid an over-commercialized sea of American Idol and Glee musical programming, The Sing-Off offered some hope. The show gathered a handful of amazing a capella groups and created some true gems. An ensemble performance of ELO’s “Mr. Blue Sky” rivaled the SoCals’ Journey medley and the Beelzebubs’ The Who medley as my favorites from the first seasons. A capella is truly amazing when done well.
We Used to Wait, Arcade Fire
As a geek I was inspired by Arcade Fire’s super-innovative “We Used to Wait” web “video” released partially as a showcase of the possibilities within HTML5. The tech is great, but the song is even more impressive. It’s fun to crank as I, uh, go the speed limit while driving down I-95.
White Knuckles, Ok Go
I’d known about Ok Go long before 2010, of course, but I became a true fan after hearing that they’d be in Bangor for the KahBang festival in August. The concert was amazing (and included a great view of Damian), and Oh No has been cycling through my ears regularly ever since. When “White Knuckles” hit YouTube in September, amazing got even amazinger.
Overture, Daft Punk
I haven’t seen the new Tron, but after hearing from about 90% of my friends that Daft Punk’s soundtrack to the film was in-freakin-credible, I decided to seize the opportunity of an AmazonMP3 sale and buy it sound unheard. I love film music, and I love Daft Punk (“Robot Rock” is another new favorite of 2010, for completely different reasons). The Tron Legacy soundtrack is what you’d expect to happen if Discovery or Human After All had a lovechild with John Williams and somehow managed to mix in a bit of Danny Elfman. Yeah. Buy the album.